Planchart 2018 Alejandro Enrique Planchart, Guillaume Du Fay: The Life and Works (Cambridge, 2018).
Cumming 2003 Julie E. Cumming, The Motet in the Age of Dufay (Cambridge, 2003).
Higgins 1999 Paula Higgins (ed.), Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music (Oxford, 1999).
Natvig 1999 Mary Natvig, ‘The Magnificat Group of Antoine Busnoys’, in Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music, ed. Paula Higgins (Oxford, 1999), 257-76.
Reynolds 1995 Christopher Reynolds (ed.), Papal Patronage and the Music of St. Peter's, 1380-1513 (Berkeley, 1995).
Wegman 1995 Rob C. Wegman, ‘Miserere supplicanti Dufay: The Creation and Transmission of Guillaume Dufay’s Missa Ave regina celorum’, in The Journal of Musicology 13 (1995), 18-54.
Curtis-Wathey 1994 Gareth R. K. Curtis and Andrew B. Wathey, 'Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory', in Royal Musical Association Research Chronicle 27 (1994), 1-69.
Wegman 1991a Rob C. Wegman, ‘Petrus de Domarto's Missa Spiritus almus and the Early History of the Four-Voice Mass in the Fifteenth Century’, in Early Music History 10 (1991), 235–303.
Roth 1991 Adalbert Roth, Studien zum frühen Repertoire de Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484): Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana (Capella Apostolicae Sixtinaeque Collectanea Acta Monumenta 1) (Città del Vaticano, 1991).
Wegman 1987a Rob C. Wegman, ‘An Anonymous Twin of Ockeghem’s Missa Quinti Toni in San Pietro B 80’, in Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 37 (1987), 25-48.
Reynolds 1986 Christopher Reynolds (ed.), Vatican City, Biblioteca Apostolica Vaticana, MS San Pietro B 80, Renaissance Music in Facsimile 23 (New York, 1986).
Strohm 1985 Reinhard Strohm, Music in Late Medieval Bruges (Oxford, 1985). esp. 124, 136, 141-42
Reynolds 1982 Christopher Reynolds, 'The Music Chapel at San Pietro in Vaticano in the Later fifteenth Century' (Ph.D. diss., Princeton University, 1982).
Reynolds 1981 Christopher Reynolds, ‘The Origins of San Pietro b 80 and the Development of a Roman Sacred Repertory’, in Early Music History 1 (1981), 257-304.
Blackburn 1981b Bonnie J. Blackburn, 'A Lost Guide to Tinctoris's Teachings Recovered', in Early Music History 1 (1981), 29-116. esp. 36, 40
Census-Catalogue 1979-88 Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1500 (Renaissance Manuscript Studies 1) (Neuhausen-Stuttgart, 1979-88). IV, p. 66-67
Kanazawa-Pope 1978 Masakata Kanazawa and Isabel Pope (ed.), The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Music of the Late Fifteenth Century (Oxford, 1978). esp. 551, 568, 585-86, 591-93, 602-03
Planchart 1976 Alejandro Enrique Planchart, Guillaume Dufay's Masses: A View of the Manuscript Traditions. Papers read at the Dufay Quincentenary Conference, Brooklyn College, December 6-7 (Brooklyn, 1974), 26-60 and 150-01. esp. 44-48, 151
Ward 1969 Tom Robert Ward, 'The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century' (Ph.D. diss., University of Pittsburgh, 1969).
Kirsch 1966 Winfried Kirsch, Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts (Tutzing, 1966). esp. 160
Hamm 1964 Charles Hamm, Chronology of the Works of Guillaume Dufay (Princeton, 1964). esp. 76, 130, 136-37, 141, 144, 168, 171-73
Hamm 1960 Charles Hamm, ‘The Manuscript San Pietro B80’, in Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 14 (1960), 40-55.
Bukofzer 1953 Manfred Bukofzer (ed.), John Dunstable: Complete Works, rev. Margaret Bent et al. (Musica Britannica 8) (London, 1953, R1970). VIII, 163-65, 193 (edition 1970)