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IDEM
Integrated Database for Early music

Magnificat octavi toni

Identification

Composer

[anonymous] (credited)
[Busnoys, Antoine] (stylistic)

Appears in

Voices

4

Category

polyphony

Genre

Magnificat

Structure

v.1a Magnificat (1v)
v.1b Anima mea (3v)
v.2 Et exultavit (2v)
v.3 Quia respexit (3v)
v.4 Quia fecit (4v)
v.5 Et misericordia (2v)
v.6 Fecit potentiam (3v)
v.7 Deposuit potentes (2v)
v.8 Esurientes implevit (4v)
v.9 Suscepit Israel (3v)
v.10 Sicut locutus (2v)
v.11 Gloria patri (3v)
v.12 Sicut erat (4v)

Additional information

Attribution to Busnoys in [Hamm 1960]
V-CVbav-ms-Arch.Cap.S.Pietro.B.80: Et exultavit: [Contratenor]: 'Duo'; 'Tenor': 'Et exultavit tacet' / Quia respexit: [Contratenor]: 'Quia respexit tacet'; 'Tenor': 'Et exultavit tacet'; 'Barritona[n]s' voice added / Et misericordia: [Superius] and [Contratenor]: 'Duo'; 'Tenor' and 'Barritonans': 'Et misericordia tacet' / Deposuit potentes: 'Barritonans': 'Deposuit sileat' / Suscepit Israel: 'Barritona[n]s': 'Suscepit et Sicut locut[us] pausantur' / Sicut locutus: [Superius] and [Contratenor]: 'Duo' / Gloria patri: [Contratenor]: 'Gloria tacet'

Bibliography

Reynolds 1981 Christopher Reynolds, ‘The Origins of San Pietro b 80 and the Development of a Roman Sacred Repertory’, in Early Music History 1 (1981), 257-304. 301
Hamm 1960 Charles Hamm, ‘The Manuscript San Pietro B80’, in Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 14 (1960), 40-55. esp. 45

Copyright

Metadata

Licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 License

Permalinks

Metadata

https://data.idemdatabase.org/item/G00001830

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