Lindmayr-Brandl-Kolb 2019 Andrea Lindmayr-Brandl and Paul Kolb (ed), Gaspar van Weerbeke: New Perspectives on his Life and Music (Turnhout, 2019).
Kempster 2018 William G. Kempster, Pierre de la Rue's Missa Pourquoy non: Consolidating the Case for Re-Evaluation through Motivic Analysis, paper presented at the Pierre de la Rue Conference in Mechelen, Belgium, 2018. (online)
Rodin 2012 Jesse Rodin, Josquin's Rome: Hearing and Composing in the Sistine Chapel (Oxford, 2012).
Howard 2010 Daniel Ross Howard, 'Elements of narrative in the masses of Loyset Compère' (Master's thesis, Iowa University, 2010).
Pavanello 2010 Agnese Pavanello, 'Stabat mater / Vidi speciosam: Some Considerations on the Origin and Dating of Gaspar Van Weerbeke's Motet in the Chigi Codex', in Tijdschrift Van De Koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis 60 (2010), 3-19.
Saunders 2010 Zoe Saunders, 'Manuscripts in the Age of Print: Production, Function and Destinations of the Alamire Manuscripts', in Books in Transition at the Time of Philip the Fair. Manuscripts and Printed Books in the Late Fifteenth and Early Sixteenth Century Low Countries, ed. Hanno Wijsman (Burgundica XV) (Turnhout, 2010), 181-212.
Fallows 2009 David Fallows, Josquin (Epitome musical 47) (Turnhout, 2009).
Meconi 2003a Honey Meconi, Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court (Oxford-New York, 2003).
Ros-Fábregas 2002 Emilio Ros-Fábregas, 'The Cardona and Fernández de Córdoba Coats of Arms in the Chigi Codex', in Early Music History 21 (2002), 223-58. esp. 224, 242
Duffin 2001 Ross W. Duffin, 'Mi chiamano Mimi ...but my name is Quarti toni: Solmization and Ockeghem's famous Mass', in Early Music 29/2 (2001), 164–85.
Ceulemans 2000 Anne-Emmanuelle Ceulemans, 'Les Messes L'Homme Armé De Josquin Des Prez', in Musurgia 7 (2000), 29-43.
Kellman 1999 Herbert Kellman (ed.), The Treasury of Petrus Alamire. Music and Art in Flemish Court Manuscripts 1500-1535 (Ghent-Amsterdam, 1999). no. 33, p. 125-129
Higgins 1999 Paula Higgins (ed.), Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music (Oxford, 1999).
Kempson 1998 Emma Clare Kempson, 'The Motets of Henricus Isaac (c.1450-1517): Transmission, Structure and Function' (Ph.D. diss., King's College, London, 1998).
Fitch 1997 Fabrice Fitch, Johannes Ockeghem: Masses and Models (Collection Ricercar 2) (Paris, 1997).
Winkler 1993 Heinz-Jürgen Winkler, 'Studien zu den Tenormotetten von Johannes Regis nebst einer kritischer Edition des Motettencorpus der Handschrift Rom, Biblioteca Apostolica Vaticana, Fondo Chigi C VIII 234' (Ph.D. diss., University of Heidelberg, 1993).
Kellman 1987a Herbert Kellman (ed.), Vatican City, Biblioteca Apostolica Vaticana, MS Chigi C VIII 234 (Renaissance Music in Facsimile: Sources Central to the Music of the Late Fifteenth and Sixteenth Centuries 22) (New York-London, 1987).
Taruskin 1986 Richard Taruskin, 'Antoine Busnoys and the L'Homme armé Tradition', in Journal of the Americal Musicological Society 39 (1986), 255-93.
Hudson 1986a Barton Hudson, 'Two Ferrarese Masses by Jacob Obrecht', in Journal of Musicology 4/3 (1986), 276-302. esp. 286
Miyazaki 1985 Haruyo Miyazaki, 'New light on Ockeghem's Missa 'Mi-mi'', in Early Music 13 (1985), 367-75.
Perkins 1984 Leeman L. Perkins, 'The L'Homme Arme Masses of Busnoys and Okeghem: A Comparison', in Journal of Musicology 3 (1984), 363-96. esp. 370-
Houghton 1983 Edward F. Houghton, 'A "New" Motet by Johannes Regis', in Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 33 (1983), 49-74.
Planchart 1981 Alejandro Enrique Planchart, 'Fifteenth-Century Masses: Notes on Performance and Chronology', in Studi musicali 10 (1981), 3-29. esp. 9-13
Census-Catalogue 1979-88 Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1500 (Renaissance Manuscript Studies 1) (Neuhausen-Stuttgart, 1979-88). IV, p. 12-13
Kellman 1976a Herbert Kellman, 'Josquin and the Courts of the Netherlands and France: The Evidence of the Sources', in Josquin des Prez: Proceedings of the International Josquin Festival-Conference... 21-25 June 1971 (London etc., 1976), 181-216. esp. 193-96, 209-10
Hudson 1969-72 Barton Hudson (ed.), Antoine Brumel: Opera Omnia (Corpus Mensurabilis Musicae 5) (Neuhausen-Stuttgart, 1969-72).
Kellman 1958 Herbert Kellman, 'The Origins of the Chigi Codex: The Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C. VIII. 234', in Journal of the American Musicological Society 11/1 (1958), 6-19.
Lindenburg 1956 Cornelis W. H. Lindenburg (ed.), Johannes Regis: Opera Omnia (Corpus Mensurabilis Musicae 9) (s. l., 1956).
Plamenac 1927-47 Dragan Plamenac (ed.), Johannes Ockeghem: Collected Works: Masses, 2 vols (s.l., 1927-47, R1959-66).
