Talamo 2005-06 Emilia Anna Talamo, 'Scheda 30: Magnificat, Inni e Mottetti', in Rivista di Storia della miniatura. Miniatura Umbra del Rinascimento 9-10 (2005-06), 207.
Talamo 2004 Emilia Anna Talamo, 'Jean Orceau', in Dizionario biografico dei miniatori italiani, Secoli IX-XVI, ed. M. Bollati (Milano, 2004), 837.
Schlagel 2002 Stephanie P. Schlagel, 'The Liber selectarum cantionum and the "German Josquin Renaissance"', in Journal of Musicology 19/4 (2002), 564-615.
Sherr 1996 Richard Sherr, Papal Music Manuscripts in the Late Fifteenth and Early Sixteenth Centuries (Renaissance Manuscript Studies 5) (Neuhausen-Stuttgart, 1996).
Grafinger 1995 Christina M. Grafinger, 'Die Musikhandschriften des Archivs der Cappella Pontificia und ihre Entlehnung im 19. Jahrhundert', in Nuovi annali della Scuola speciale per archivisti e bibliotecari 9 (1995), 45-54.
Cummings 1990 Anthony M. Cummings, 'The Transmission of Some Josquin Motets', in Journal of the Royal Musical Association 115/1 (1990), 1-32.
Heyink 1990 Rainer Heyink, 'Die Passionsmotette von Antoine de Longueval: Herkunft, Zuschreibung und Überlieferung', in Archiv für Musikwissenschaft 47 (1990), 217-44.
Hur 1990 Young-Han Hur, 'Conflicting Attributions in the Continental Motet Repertory from ca. 1500 to ca. 1550' (Ph.D. diss., City University of New York, 1990).
Hucke 1986 Helmut Hucke, 'Die Musik in der Sixtinischen Kapelle bis zur Zeit Leos X', in Zusammenhänge, Einflüsse, Wirkungen. Kongressakten zum ersten Symposium des Mediävistenverbandes in Tübingen, eds. Joerg Fichte et al. (Berlin, 1986), 154-67.
Dean 1984 Jeffrey J. Dean, 'The Scribes of the Sistine Chapel 1501-1527' (Ph.D. diss, University of Chicago, 1984). esp. 44-45, 58-59, 187-92, 194-96, 198-200, 235-38
Cummings 1983 Anthony M. Cummings, 'A Florentine Sacred Repertory from the Medici Restoration.' in Acta Musicologica 55 (1983), 267-332. esp. 283-84, 307, 312-15, 317-19, 321-22
Keahey-Douglas 1982-85 Thomas Herman Keahey and Conrad Douglas (ed.), Johannes Prioris: Opera Omnia (Corpus Mensurabilis Musicae 90) (Neuhausen-Stuttgart, 1982-85). esp. III, xiii-xiv, 1-10, 45-79, 84-90
Cummings 1981 Anthony M. Cummings, 'Medici Musical Patronage in the Early Sixteenth Century: New Perspectives', in Studi musicali 10 (1981), 197-216.
Census-Catalogue 1979-88 Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1500 (Renaissance Manuscript Studies 1) (Neuhausen-Stuttgart, 1979-88). IV, p. 46-47
Hudson 1979 Barton Hudson (ed.), Ninot le Petit: Opera Omnia (Corpus Mensurabilis Musicae 87) (Neuhausen-Stuttgart, 1979). xxiv-xxv
Gore 1978 Glenn Leon Gore, 'The Works of Philippe Basiron (Philippon?): Transcription and Commentary' (Ph.D. diss., West Virginia University, 1978). I, 6-7, 14-15, 96-99; II, xix, 154-64
Sherr 1977 Richard Sherr, 'Notes on two Roman Manuscripts of the Early Sixteenth Century', in The Musical Quarterly 63/1 (1977), 48-73.
Sherr 1976a Richard Sherr, 'New Archival Data Concerning the Chapel of Clement VII', in Journal of the American Musicological Society 29/3 (1976), 472-78.
Sherr 1975 Richard Sherr, 'The Papal Chapel ca. 1492-1513 and Its Polyphonic Sources' (Ph.D. diss., Princeton University, 1975). esp. 227-46
Wexler 1974 Richard Wexler, 'The Complete Works of Johannes Prioris' (Ph.D. diss., New York University, 1974). esp. 27, 373-74
Seay 1972-84 Albert Seay (ed.), Elzéar Genet (Carpentras): Opera Omnia (Corpus Mensurabilis Musicae 58) (Neuhausen-Stuttgart, 1972-84). V, ix-x, 100-07
Hudson 1969-72 Barton Hudson (ed.), Antoine Brumel: Opera Omnia (Corpus Mensurabilis Musicae 5) (Neuhausen-Stuttgart, 1969-72). V, xxviii, xxii, xl, 3-6, 53-62
Dunning 1969 Albert Dunning, Die Staatsmotette 1480-1555 (Utrecht, 1969). esp. 337
Finscher 1964 Ludwig Finscher, Loyset Compère: Life and Works (Musicological Studies and Documents 12) (s.l., 1964). esp. 118
Jeppesen 1962a Knud Jeppesen, 'Über italienische Kirchenmusik in der ersten Hälfte des 16. Jahrhunderts', in Studia Musicologica 3 (1962), 149-60. esp. 156-
Lerner 1961-70 Edward R. Lerner (ed.), Alexander Agricola: Opera Omnia (Corpus Mensurabilis Musicae 22) (s.l., 1961-70). IV, vi, 7-10
Llorens Cisteró 1960 José Maria Llorens Cisteró, Capellae Sixtinae Codices (Città del Vaticano, 1960). 83-86, 485-86
Finscher 1958-72 Ludwig Finscher (ed.), Loyset Compère: Opera Omnia (Corpus Mensurabilis Musicae 15) (s.l., 1958-72). III, ii, v, 15-19; IV, i, iii-iv, 1-5, 41-44
Rigsby 1955 Oscar Lee Rigsby, 'The Sacred Music of Elzéar Genet' (Ph.D. diss., University of Michigan, 1955). I, 95, 256-57, 328; II, 292-301
Von Fischer 1954 Kurt von Fischer, 'Zur Geschichte der Passionskomposition des 16. Jahrhunderts in Italien', in Archiv für Musikwissenschaft 11 (1954), 189-205. esp. 599
Van Crevel-Smijers 1953- Marcus van Crevel and Albert Smijers (ed.), Jacobus Obrecht: Opera Omnia (Amsterdam, 1953-). II, fasc. 2, vii-viii
Frey 1951 Herman-Walther Frey, 'Klemens VII. und der Prior der päpstlichen Kapelle Nicholo de Pitti', in Die Musikforschung 4/2-3 (1951), 175-84.
Stephan 1937 Wolfgang Stephan, Die Burgundisch-Niederländische Motette zur Zeit Ockeghems (ed. Heinrich Besseler, Heidelberger Studien zur Musikwissenschaft 6) (Kassel, 1937, R1973). esp. 95
Smijers 1926-64 Albert Smijers (ed.), Werken van Josquin des Prez: Motetten (Amsterdam, 1926-64). I, xi, xiii; III, xi; V, xi; VII, xi-xii; XX, xi-xiii; XXV, xliii
Wolf 1908-21 Johannes Wolf (ed.), Werken van Jacob Obrecht (Leipzig-Amsterdam, 1908-21). II, vii-viii, 15-28; IV, viii-ix, 49-63