D'Accone 2006 Frank A. D'Accone, Music in Renaissance Florence: Studies and Documents (Aldershot, 2006).
Mouser 2004 Marilee J. Mouser, 'Petrucci and his shadow: a case study of reception history', in Fontes Artis Musicae 51/1 (2004), 19-52.
Higgins 1999 Paula Higgins (ed.), Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music (Oxford, 1999).
Hudson 1986a Barton Hudson, 'Two Ferrarese Masses by Jacob Obrecht', in Journal of Musicology 4/3 (1986), 276-302.
Bernstein-Van Benthem 1985 Lawrence Bernstein and Jaap Van Benthem, 'Workshop III. The scoring of Josquin's secular music', in Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 35 1/2 (1985), 67-96.
Cummings 1983 Anthony M. Cummings, 'A Florentine Sacred Repertory from the Medici Restoration.' in Acta Musicologica 55 (1983), 267-332.
Brown 1983c Howard Mayer Brown (ed.), A Florentine Chansonnier from the time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229 (Chicago, 1983). esp. 196, 207-, passim
Atlas 1981 Allan W. Atlas, 'Conflicting Attributions in Italian Sources of the Franco-Netherlandish Chanson (c. 1465-c. 1505): A Progress Report on a New Hypothesis', in Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, ed. Iain Fenlon (Cambridge, 1981), 249-94. esp. 251-52,258-63,267,271-73,278-83
Blackburn 1981a Bonnie J. Blackburn, 'Two Carnival Songs Unmasked: A Commentary on MS Florence Magl. XIX. 121', in Musica Disciplina 35 (1981), 121-78.
Edwards 1981 Warwick Edwards, 'Songs Without Words by Josquin and His Contemporaries', in Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, ed. Iain Fenlon (Cambridge, 1981), 79-92. esp. 90
Census-Catalogue 1979-88 Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1500 (Renaissance Manuscript Studies 1) (Neuhausen-Stuttgart, 1979-88). IV, p. 18-19
Winn 1979 Mary Beth Winn, 'Some texts for chansons by Loyset Compere', in Musica Disciplina 33 (1979), 43-54.
Baker 1978 Norma Klein Baker, 'An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History' (Unpublished Ph.D. diss., University of Maryland, 1978). esp. 34-35, 41-42, 53-55, 57-58, 242, 293-94, 365-, 429-, passim
Plamenac 1977 Dragan Plamenac, 'On Reading Fifteenth-Century Chanson Texts', in Journal of the American Musicological Society 30/2 (1977), 320-24.
Staehelin 1977 Martin Staehelin, Die Messen Heinrich Isaacs (Publikationen der Schweizerischen Musikforschenden Gesellschaft, Serie II, 28, I-III) (Bern-Stuttgart, 1977). esp. I,xxxvii,26,28,30-34,48,62,87; II,37; III,49,202-03
Rifkin 1976b Joshua Rifkin, 'Pietrequin Bonnel and MS. 2794 of the Biblioteca Riccardiana', in Journal of the American Musicological Society 29/2 (1976), 284-96. esp. 288-91
Thomson 1976 James Thomson (ed.), Les oeuvres complètes de Philippe (?) Caron: Transcription et notes critiques de James Thomson (Brooklyn, NY, 1976). esp. II,ii-xix, 167-69,175-83,187-88,202-03
Atlas 1975-76 Alan W. Atlas, MS 27 The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C.G.XIII.27) (American Institute of Musicology, 1975-76).
Atlas 1974a Alan W. Atlas, ‘Heinrich Isaac’s Palle palle: A New Interpretation’, in Analecta Musicologica 11 (1974), 17–25.
Atlas 1971 Allan W. Atlas, 'Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII.27 and the dissemination of the Franco-Netherlandish chanson in Italy, c.1460-c.1530' (Ph.D. diss., New York University, 1971).
D'Accone 1971 Frank A. D'Accone, 'Some neglected composers in the Florentine chapels, ca. 1475-1525', in Viator. Medieval and Renaissance Studies 1 (1971), 263-288.
Llorens Cisteró 1971 Jose Maria Llorens Cisteró, Le opere musicali della Cappella Giulia, 1: Manoscritti e edizioni fino al Settecento (Studi e Testi 265) (Città del Vaticano, 1971). esp. 43-48,315-21, Tav. 4
Wexler 1970 Richard Wexler, 'Newly identified works by Bartolomeo degli Organi in the MS Bologna O 17', in Journal of the American Musicological Society 23/1 (1970), 107-118.
Jeppesen 1968-70 Knud Jeppesen, La frottola, 3 vols. (Acta jutlandica 40/2, 41/1, 42/1) (Aarhus-Copenhagen, 1968-70). esp. ll,xxxvii; Il, 194-95, passim; III,59
Lerner 1961-70 Edward R. Lerner (ed.), Alexander Agricola: Opera Omnia (Corpus Mensurabilis Musicae 22) (s.l., 1961-70). esp. lV,xv-xx; V,v-,58
Just 1960 Martin Just, 'Studien zu Heinrich Isaacs Motetten' (Ph.D. diss., Eberhard-Karls-Universität Tübingen, 1960). esp. I,17; II,23,38-39,49,56,62,110-12
Schmitz et al. 1955- Arnold Schmitz et al. (ed.), Musikalische Denkmäler (Mainz, 1955-). esp. ll, 63; VIII, 145,149-