Schmidt-Beste 2015 Thomas Schmidt-Beste, 'Polyphonic Sources, ca. 1450-1500', in The Cambridge History of Fifteenth-Century Music, eds. Anna Maria Busse Berger and Jesse Rodin (Cambridge University Press, 2015), 641-62. esp. p. 650
Wegman 2010 Rob C. Wegman, 'Publication Before Printing: How Did Flemish Polyphony Travel in Manuscript Culture?', in Books in Transition at the Time of Philip the Fair: Manuscripts and Printed Books in the Late Fifteenth and Early Sixteenth Century Low Countries, ed. Hanno Wijsman (Turnhout, 2010), 165-80. esp. 177-79
Haggh 2003 Barbara Haggh, 'Charles de Clerc, Seigneur de Bouvekercke, and Two Manuscripts: Brussels, Bibliothèque royale de Belgique, MS 215-16, and Naples, Biblioteca Nazionale, MS VI E 40', in The Burgundian Habsburg Court Complex of Music Manuscripts (1500-1535) and the Workshop of Petrus Alamire: Colloquium Proceedings. Leuven, 25-28 November 1999, eds. Bruno Bouckaert and Eugeen Schreurs (Yearbook of the Alamire Foundation 5) (Leuven-Neerpelt, 2003), 185-202. esp. 185
Schreurs-Bouckaert 1995 Eugeen Schreurs and Bruno Bouckaert, Bedreigde klanken? Muziekfragmenten uit de Lage Landen (Middeleeuwen - Renaissance) (Leuven-Peer, 1995). esp. no. 71 (p. 56)
Strohm 1993 Reinhard Strohm, The Rise of European Music: 1380-1500 (Cambridge, 1993). esp. 240, 405 & 430
Sandon 1990 Nick Sandon (ed.), John Plummer: Missa sine nomine (Newton Abbot, 1990).
Wegman 1989b Choirbook of the Burgundian Court Chapel. Brussel, Koninklijke Bibliotheek, Ms. 5557. Introduction Rob C. Wegman (Peer, 1989).
Sandon 1989 Nick Sandon (ed.), Richard Cox: Missa sine nomine (Newton Abbot, 1989).
Curtis 1989 Gareth R.K. Curtis (ed.), Fifteenth-Century Liturgical Music III: the Brussels Masses (Early English Church Music 34) (London, 1989).
Wegman 1987b Rob C. Wegman, 'The Twelfth Gathering of Brussels, Koninklijke Bibliotheek, Manuscript 5557. A New Dufay Concordance', in Liber Amicorum Chris Maas. Essays in Musicology in Honour of Chris Maas on his 65th Anniversary, eds. Rob C. Wegman and Eddie Vetter (Amsterdam, 1987), 15-25.
Wegman 1986 Rob C. Wegman, 'New Data Concerning the Origins and Chronology of Brussels, Koninklijke Bibliotheek, Manuscript 5557', in Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 36 (1986), 5-25.
Warmington 1984 Flynn Warmington, '"A Very Fine Troop of Bastards?": Provenance, Date, and Busnois's Role in Brussels 5557', paper read at the annual meeting of the American Musicological Society 1984.
Bowers 1984 Roger Bowers et al., 'New Sources of English Fifteenth- and Sixteenth-Century Polyphony', in Early Music History 4 (1984), 297-346. esp. 305-7 and 309
Haggh 1983 Barbara Haggh, 'Music at the Court of Charles the Bold: Another Look at Brussels, Bibliothèque Royale, MS 5557' - paper read at the 49th Annual Meeting of the American Musicological Society, 1983.
Census-Catalogue 1979-88 Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1500 (Renaissance Manuscript Studies 1) (Neuhausen-Stuttgart, 1979-88). IV, 295
Curtis 1979a Gareth R.K. Curtis, 'Brussels, Bibliothèque Royale MS. 5557, and the Texting of Dufay's "Ecce ancilla Domini" and "Ave regina caelorum" Masses', in Acta musicologica 51 (1979), 73-86.
Curtis 1979b Gareth R.K. Curtis, 'The English Masses of Brussels BR ms. 5557' (unpublished Ph.D. diss., University of Manchester, 1979).
Staehelin 1973 Martin Staehelin, 'Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit', in Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 23 (1973), 79-91.
Kenney 1964 Sylvia W. Kenney, Walter Frye and the 'Contenance angloise' (New Haven-London, 1964).
Kenney 1952 Sylvia W. Kenney, 'Origins and chronology of the Brussels Manuscript 5557 in the Bibliothèque royale de Belgique', in Revue belge de Musicologie/Belgisch Tijdschrift voor Muziekwetenschap 6/2-3 (1952), 75-100.
Van de Borren 1933-34 Charles Van den Borren, 'Inventaire des manuscrits de musique polyphonique qui se trouvent en Belgique', in Acta Musicologica 5/2 (1933), 66-71; 5/3 (1933), 120-27; 5/4 (1933), 177-83; 6/1 (1934), 23-29; 6/2 (1934), 65-73; 6/3 (1934), 116-21. 66-69
