Kyrie Kyrie (4v) Christe (3v) Kyrie (4v)
Gloria Et in terra pax (4v) Qui tollis (4v) Tu solus (4v)
Credo Patrem (4v) Et incarnatus (4v) Confiteor (4v)
Sanctus Sanctus (4v) Pleni (3v) Osanna (4v) Benedictus (3v)
Agnus dei Agnus dei - Miserere (4v) Agnus dei - Miserere (3v) Agnus dei - Dona nobis (4v)
Additional information
A-Wn-ms-Cod.11883: Title as in ms (index) = 'Missa super Lomme arme 4 vocum' / Composer name in ms (index) = 'Jacobus Obrecht' / Composer name in ms = 'Jacquet Obrecht' (fol. 52r) and 'Hobrecht' (fol. 52v) / Kyrie I: 'Tenor': 'Lhomme arme' (red ink) / Christe: 'Tenor': 'xpe tacet' / Patrem: [Tenor]: 'Canon - Ne sonites lycanosypaton - Sume in proslambanomenon' / [Tenor]: 'Pleni tacet' / [Tenor]: 'Benedictus tacet'; [Contratenor] and [Tenor]: 'Osanna ut supra' / Agnus I: [Tenor]: 'Canon - Tu tenor cancrisa et p[er] aonyfrasim [sic] canta' (canon indication for the retrograde inversion of the 'L'homme armé' melody') / [Tenor]: 'Secu[n]dum agnus tacet'
Bibliography
Wegman 1989a Rob C. Wegman, 'Another "Imitation'" of Busnoys's Missa L'Homme armé and Some Observations on Imitatio in Renaissance Music', in Journal of the Royal Musical Association 114/2 (1989), 189-202.
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