[MacCracken 2003]: By Forestier; misattribution to Mouton in D-Ju-ms-3

B-Br-ms-IV-922: Composer name in ms = 'Mathurin Forestir' / Kyrie I: 'Tenor': 'Lom arme' (red ink) / Patrem: 'Tenor' is untexted / Et resurrexit: [Tenor] is untexted, canon in unisono is written out / Benedictus: 'Bassus': 'Canon. Quatuor quaternionibus'

D-Ju-ms-3: Composer name in ms = 'Johannes Mouton' / Kyrie I: 'Tenor': 'Fuga' and 'Lomme harme' / Et in terra: Fol. 94ar-94av: inserted paper folio by singer-composer Adam Rener with written out canon for the tenor part / Osanna: [Tenor]: 'Ung et deux sont trois et le quart pour les galois' / Benedictus: [Superius] and [Contratenor]: 'Benedictus supra bassum'; '[Bassus]: 'Canon. Quatuor quate[r]nionibus' / Ozanna ut supra' in all voices / Agnus III: [Bassus]: 'Canon: Septennarius ut sum om[n]es post me venite: Sequens alter alterum. Tempus unum sumite'

E-MO-ms-766: Composer name in ms = 'Mathurin Forestier' / Title as in ms = 'Missa lhomme arme' / Et resurrexit: 'Tenor': Canon indication in margin (red ink): 'Fuga in eodem thono ... pausando' / Osanna: 'Tenor': 'Canon ung et deux sont troys et le quart pour les galoys' (red ink) / Benedictus: 'Bassus': 'Canon. Quatuor quaternionibus' / Agnus III: [Bassus]: 'Septennarius ut sim - Omnes post me venite - Canon. Sequens alter alterum - Tempus unum sumite'

V-CVbav-ms-Capp.Sist.160: Composer name in ms = 'Mathurin Forestyn' / Kyrie I: 'Teuma': 'Fuga' and (marginal note) 'Canones sup[er] voces musicales et primo in subdyapenthe per UT'; 'Lomme harme' / Kyrie II: 'Tenor': 'Ut s[upr]a,' in margin / Et in terra pax: 'Tenor': 'In sub dyatessaron per RE' in margin / Qui tollis: 'Tenor': Precedam in sub semidytono per MI', in margin / Patrem: 'Tenor': 'Ung ton plus bas per FA', in margin / Et incarnatus: Below the pages: 'Pro quarta voce si plac[et]' / Et resurrexit: 'Tenor': 'Canon in unisono' and (marginal note) 'In eodem tono per SOL'; Fol. 104v: 'Tenor': textless and unfinished / Sanctus: 'Tenor': 'Ung ton plus hault per LA', in margin / 'Tenor': 'Pleni tacet' / Osanna: 'Tenor': 'Canon Ung et deulx sont troijs e[t] le quart pour les galoijs' and marginal note: 'La primiere va deva[n]t' / Benedictus: [Superius] and 'Contra[tenor]: 'Benedictus supra bassum'; 'Baricanor': 'Alter post alterum per dyatessaron per intensum sequatur' in margin; 'Osanna ut supra' / Agnus I: 'Tenor': 'In subdyapente, subdyatessaron', in margin / Agnus II: [Superius]: 'Agnus secundus supra contratenorem'; 'Contrate[nor]': 'Tres in una carne' and marginal note: 'Tertia secundam secundaque primam sequatur' / Agnus III: [Superius] and 'Tenor': 'Agnus tertius supra bassum'; 'Baricanor': 'Canon: Septenarus ut sum omnes post me venite: Sequens alter alterum. Tempus unum sumite'