[Meconi 2003a]: Missa L’homme armé II survives without attribution but is almost certain by La Rue on the basis of style.
D-Ju-ms-2: Kyrie I: 'Tenor': cantus firmus: 'lhomme arme' / Gloria: Incomplete / Et incarnatus: [Superius] and 'Contra[tenor]': 'Duo'; 'Te[n]or': 'Et incarnat[us] e[st] tacet' / Crucifixus: 'Tenor' and 'Barriton': 'Duo'; [Superius]: 'Crucifixus etiam pro nobis tacet' / Et resurrexit: [Superius]: 'Et resurrexit quere supra bassum' / Pleni: [Superius] and 'Contrate[n]or': 'Duo'; 'Tenor': 'Pleni sunt celi Tacet' / Benedictus: 'Tenor' and 'Bassus': 'Duo'; 'Contra[tenor]': 'Benedictus tacet'; 'Osanna ut s[upra]'
V-CVbav-ms-Capp.Sist.34: Kyrie is incomplete: only 'Bassus' and 'Tenor' / Kyrie I: 'Tenor': 'lhomme arme' / Kyrie II: 'Tenor' incomplete / Gloria incomplete / Et in terra pax: only 'Contra[tenor]', 'Baricanor': empty staves / 'Et incarnatus est in tenore tacet'; 'Bassus': 'Et incarnatus est tacet'; [Superius] and 'Contra[tenor]': 'Duo' / Crucifixus: 'Tenor' and 'Bassus': 'Duo'; 'Crucifixus in discantu tacet'; 'Contra[tenor]: 'Crucifixus tacet' / Et resurrexit: [Superius]: 'Discantum quere supra bassum' / Pleni: [Superius] and 'Contra[tenor]': 'Duo' / [Superius]: 'Benedictus tacet'; 'Tenor' and 'Bassus': 'Duo' / Agnus I: 'Contra[tenor]': 'Quere contratenorem in discantu'
