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IDEM
Integrated Database for Early music

Missa Spiritus almus

Identification

Composer

Domarto, Petrus de (credited)

Appears in

Voices

4

Category

polyphony

Genre

mass

Structure

Kyrie
        Kyrie (4v)
        Christe (4v)
        Kyrie (4v)
Gloria
        Et in terra pax (4v)
        Qui tollis (4v)
Credo
        Patrem (4v)
        Crucifixus (4v)
        Et in spiritum (4v)
Sanctus
        Sanctus (4v)
        Pleni (2v)
        Gloria tua (4v)
        Osanna (4v)
        Benedictus (4v)
Agnus dei
        Agnus dei - Miserere (4v)
        Agnus dei - Miserere (2v)

Additional information

V-CVbav-ms-Capp.Sist.14: Composer name in ms = 'De domarto' / 'Tenor': 'Spiritus almus', written in most of the mass sections / Pleni: Superius and 'Contratenor': 'Duo'; Tenor and Tenor 2[secundu]s: 'Pleni tacet' / A second Osanna follows Benedictus without break / Agnus II: [Superius] and 'Contratenor': 'Duo'; 'Tenor 2[secundu]s': 'Secundus agnus tacet'

Bibliography

Wegman 1991a Rob C. Wegman, ‘Petrus de Domarto's Missa Spiritus almus and the Early History of the Four-Voice Mass in the Fifteenth Century’, in Early Music History 10 (1991), 235–303.
Perz 1986 Miroslaw Perz, ‘The Lvov Fragments: A Source for Works by Dufay, Josquin, Petrus de Domarto, and Petrus de Grudencz in 15th-Century Poland’, in Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 36 (1986), 26–51. esp. 34

Copyright

Metadata

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Permalinks

Metadata

https://data.idemdatabase.org/item/G00002996

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